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Our Repertoire

NKYO members all work on the same tunes, wherever they are. Here are some of our favourites so far!

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Odessa Bulgar

Mishka Ziganoff

Odessa Bulgar was recorded by accordionist Mishka Ziganoff in New York in the 1920s. He was not Jewish, but played a lot of Jewish music and even spoke Yiddish!

 

It’s an upbeat tune; the mode is freygish, and the dance style is freylekhs/bulgar.

Odessa Bulgar played by Mishka Ziganoff

Dave's Nign

Dave Tarras

The recording we followed for the NKYO version of this freylekhs comes complete with a slide whistle! In the original, it follows a slow improv ('Rumenishe Doyne') played by legendary klezmer clarinettist Dave Tarras.

 

The mode is Misheberakh and the dance style is freylekhs/bulgar. 

Dave Tarras plays Dave's Nign

S'iz Nito Keyn Nekhtn

London Klezmer Quartet

'S'iz Nito Keyn Nekhtn' means 'Yesterday is Over'. There are many versions of the melody, and it's a song in the Belarussian language, as well as in Yiddish. 

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In the freygish mode, it's made for singing along.

London Klezmer Quartet play S'iz Nito

Kiev Freylekhs

Vintage klezmer cartoon (detail)

A major key romp with a chorus inviting us to 'play it again' (shpil es nokh a mol). You can hear lots of options for variation in the Naftule Brandwein version.

Ukrainian SSR State Ensemble (1937)
Naftule Brandwein's orchestra (1925)
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